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If more people are born than die, how are souls reincarnated? This flash fiction tells all. First published in January 2020 by Grey Sparrow Journal.

Why Whales Beach Themselves

by DL Shirey

And God said to Phelan, “You know the rules. Every human baby must include a resurrected soul.”

What else could Phelan do except nod in response; her long, platinum curls bobbing as if confident the problem would be solved. As Angel-In-Charge of reincarnation it was her job. Not to mention, the higher echelons of divinity had too many perks for Phelan to admit that quality control had slipped in recent centuries. So many soulless newborns had snuck through already, and the world was beginning to feel the affects from their lack of empathy, forgiveness and cooperation.

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As I said, there is a statue at the top of Mt. Tabor Park, of a newspaperman pointing west. He is alone. In the story the statue is of a man and a boy. I invented Statue Boy to add an element of surrealism and to have another character to interact with the protagonist. Fleas on the Dog published my story as a PDF download.

After Dinner Conversation is a unique magazine. Not only do they publish excellent short stories, acceptance is predicated on the premise that what you read is worthy of discussion. “The One That Damned Me” is about a man wrongly accused of a crime. The editors then follow up with philosophical or ethical questions for further conversation. All six stories in the July issue are well written as are topics posed afterwards. There are also free downloads for this issue (pdf, ePub, mobi), but I urge you to buy a subscription. It’s well worth it.

Of the dozen stories published in 2019, this may have been my favorite. Atmospheric and eerie, it tells quite a complex tale in about three-thousand words. First published by Eternal Haunted Summer in their Winter Solstice issue.

La Luciérnaga

by DL Shirey

Veta barked. As dog breeds went, the bone-thin hound would have been hard to identify. Jorge claimed she was purebred, but as underfed, filthy and beat up as she was, Veta looked more like a stray gone wild.

The dog trotted on the sand and gravel in the shade of a four-foot barranca. The edge of the streambed seemed to defy gravity, standing firm against the wind from the Chihuahuan Desert, each gust kicking off bits from the brittle layers of sediment. Sprouts of sour grass clung magically to the walls, out of the direct rays of the harsh, low sun.

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Horror writing has always been part of my speculative toolbox. When I started writing these stories, there were things I vowed NOT to do: werewolves howling at the moon, unearthing a mummy, or the same old vampire tale. This pledge came with a disclaimer, that I would give myself the go-ahead if I found a unique way to approach tried-and-true monsters. “The Difference Blood Makes” is such a tale. Available in ebook or print it was first published as part of the third Weird and Whatnot anthology (11/16/19 issue).

The Difference Blood Makes

by DL Shirey

[Manchester, England 1951]

“That’s correct. No names, just the place and year where the portrait was taken,” Merrick said. “Most of my subjects prefer to remain anonymous. This scholarly looking devil happened to be in my hometown, a childhood friend patient enough to sit many times while I perfected my process. Over here is an example which better explains it.”

A dozen reporters and art critics hurried after Merrick, toward the gallery’s far wall. His quick pace belied his eighty years. A few of the stragglers were jotting notes. One wrote spry to describe the artist. Another scribbled dapper.

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