DL Shirey writes from Portland, Oregon, where it's probably raining. His short stories and non-fiction appear in over 60 publications, including including Confingo, Page & Spine, Zetetic and Wild Musette. You can find more of his writing at www.dlshirey.com and @dlshirey on Twitter.
This story had an interesting affect on a member of my writer’s group. She walked out halfway through my reading. Granted, the main character is objectified solely on appearance. But that’s the whole point of the story. I urged the woman to wait for the big reveal at the end, to see if she felt the same disgust. I guess I’ll never know. I never saw her again. And I doubt she’ll click over and read it in The Chamber Magazine.
Stealing Valium is quite short and 9/10ths nonfiction. If it were a movie, a based-on-a-true-story disclaimer would be needed. The ending has been overdramatized, but the chain of events took place when I was about fifteen years old. Published by (mac)ro(mic).
Of all my stories, Cathuranjalee is the most satisfying. Like the title character, the tale had a rough road to freedom. Quite a bit of research went into it because I wanted authenticity in the characters’ clothing and locations in the Nubian desert. I dashed off a 2,000 word first draft and my writing group advised me that the ending was abrupt and unsatisfying. A couple of rewrites later, length tripled, it was ready for submission. Almost immediately, it was snatched up by a publisher of fantasy fiction. I signed a contract and waited. It never saw print, but I was contractually obligated to wait a full 18 months before I could submit elsewhere. When I did, Inked In Gray Press published it in “What Remains,” an anthology of excellent short stories available on Amazon.
Here’s another sci-fi tale that packs a lot of story in a small space. It tells how a moon got its first homesteaders and how society grew. It’s also about a mother teaching her son about death. All in 1,462 words. Published in September 2020 by the speculative fiction magazine All Worlds Wayfarer. To buy the issue, find a link on my Amazon author page.
In an interesting addendum, writing this story lead to an author interview.
Mourning on Calendas
by DL Shirey
“There.” Lalin’s first word since I explained the rules of quiet.
He had been emulating other mourners he’d seen today: their slow, exaggerated strides, prayer-hands folded beneath chins, heads tilted downward. Now, Lalin remembered the path from a year ago and ran up the switchback to the top of the slope.
When he looked back and saw I hadn’t altered my lockstep, he flattened his palms together and pulled them to his chest. When he bowed his head again I could see his silvery blond hair needed cutting.
Mt. Tabor is a park atop an ancient cinder cone, within walking distance of my house in Portland, Oregon. It is quite a climb up that hill. There is used to be a statue at the summit, of a newspaperman pointing west. The trek up to the statue was the inspiration of the story. In actuality, he stands alone. For the story I invented Statue Boy, to add an element of surrealism and to have another character to interact with the protagonist.
I don’t know the politics of the newspaperman, but Oregon has a history–to be polite–of not being particularly welcoming to minorities. This is also a theme I wanted to touch on in the story. This piece was first published in September 2020 by Fleas on the Dog (no longer available). And, by the way, this is the second Portland statue that inspired a story.
Stone Man & Statue Boy
by DL Shirey
Alone at the top of 79 stairs, only my footprints follow. Each step below has a concrete space kicked from the steep, powdery incline. I pause to catch my breath, feel the rasp at the back of my throat from cold air and tired lungs. SUVs will soon brave the snowy streets, depositing children and sleds and romping dogs in the parking lot below this hillside park.
Even though I’ve stopped walking, there remains a sense of forward motion as clouds push fast overhead. Yet there doesn’t seem to be any wind down here in the park; nothing to help the trees shrug off their burdens of white.